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The remarkable third volume in a trilogy that includes the award-winning Rider and Millennium Hotel.

Venice (Italy) --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Poetry. --- Venet︠s︡ii︠a︡ (Italy)

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La littérature sur le crédit à l’époque moderne s’est souvent focalisée sur les Monts-de-piété, les prêteurs juifs et les notaires, considérés comme le noyau du système de crédit préindustriel. Cependant, pour la majorité des habitants des villes de l’Ancien Régime, le besoin presque quotidien d’obtenir de petits prêts était satisfait par d’autres voies, moins connues mais tout aussi fondamentales pour la fragile économie des couches populaires. En utilisant des sources d’archives inédites, ce volume analyse l’architecture du marché du crédit à Venise au XVIIIe siècle. Au sein de ce marché, il est apparu que osti (aubergistes) et bastioneri – gestionnaires des bastioni, entrepôts où le vin était vendu à emporter – occupaient une place centrale, à la fois comme fournisseurs de biens de première nécessité et prêteurs sur gage. Ils étaient un point de référence incontournable pour les franges les plus pauvres et vulnérables de la société, les protagonistes de ce que l’auteur appelle « l’économie du mouchoir » (economia del fazzoletto). Chaque année osti et bastioneri prenaient en gage des dizaines de milliers d’objets d’usage quotidien – la vraie « richesse » des pauvres – dans le cadre de transactions à mi-chemin entre crédit et consommation. Les coffres et les armoires des Vénitiens devenaient de véritables réserve de valeur, toujours disponibles pour être exploitées en cas de besoin : il s’agissait d’une ressource fondamentale, qui leur permettait de survivre, un mouchoir à la fois.

Credit --- Pawnbroking --- Microfinance --- Taverns (Inns) --- Crédit --- Histoire économique --- History --- Venice (Italy) --- Economic conditions --- Venise --- Italie --- crédit --- pauvreté --- XVIIIe siècle --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venet︠s︡ii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom)

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This is the first scholarly edition of Othello to give full attention to the work's bold treatment of racial themes. Shakespeare's decision to place a sympathetic black hero at the centre of his tragedy was unique in its time; but, as the lively introduction shows, the play's relationship to the history of racial thinking remains controversial. Designed to meet the needs of theatre professionals, as well as general readers, the edition includes an extensive performance history, a commentary illuminating the complexities of Shakespeare's language, and an indispensable appendix on the music in t

Interracial marriage --- Jealousy --- Muslims --- The Tragedy of Othello, the Moor of Venice (Shakespeare) --- Toneel op toneel. --- Shakespeare, William, --- Othello --- Moor of Venice --- Boito, Arrigo, --- Verdi, Giuseppe, --- Geach, Ken. --- Venice (Italy) --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Venet︠s︡ii︠a︡ (Italy)

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How could early modern Venice, a city renowned for its political freedom and social harmony, also have become a center of religious dissent and inquisitorial repression? To answer this question, John Martin develops an innovative approach that deftly connects social and cultural history. The result is a profoundly important contribution to Renaissance and Reformation studies. Martin offers a vivid re-creation of the social and cultural worlds of the Venetian heretics--those men and women who articulated their hopes for religious and political reform and whose ideologies ranged from evangelical to anabaptist and even millenarian positions. In exploring the connections between religious beliefs and social experience, he weaves a rich tapestry of Renaissance urban life that is sure to intrigue all those involved in anthropological, religious, and historical studies--students and scholars alike.

Christian heresies --- Renaissance --- Reformation --- Religion --- Philosophy & Religion --- Christianity --- Heresies, Christian --- Heresies and heretics --- Heresy --- Theology, Doctrinal --- Christian sects --- Protestant Reformation --- Church history --- Counter-Reformation --- Protestantism --- History --- Venice (Italy) --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Church history. --- Intellectual life. --- Venet︠s︡ii︠a︡ (Italy)

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The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which cha

Jews in literature. --- Comedy. --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- Shakespeare, William, --- Shylock --- Шейлок --- Sheĭlok --- Jacobson, Howard. --- Castelnuovo-Tedesco, Mario, --- Tchaikowsky, André, --- Harbison, John. --- Nystroem, Gösta, --- Venice (Italy) --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- In literature. --- Shylock (Fictitious character) --- Venet︠s︡ii︠a︡ (Italy)